Cuneo days
« How does the world sound ? Composition & sonic environment »
As part of the Europe B-AIR project, these days have taken place in Cuneo (italy), at the Conservatorio di Musica G.F.Ghedini from 5 to 8 October 2022. Taking inspiration from a phrase of Jean-Claude Risset (pioneer of musical research founder of Music Research Center ACROE and initiator of the AST-Art Science Technology concept): “One of my early desires as a musician was (…) to compose the sound itself, instead of merely composing with sounds.” This contribution has involved, as active host, the METS (Electronic Music and Sound Engineering) Department of Cuneo Music Conservatory, as well as local realities related with B-AIR themes. The event followed a format successfully adopted in previous face-to-face appointments: the mornings were devoted to public lectures, presentations, debates and meetings, while the afternoons and evenings were dedicated to on-field activities – research actions, workshops, performances – that also involved a broad public. * * * These recordings are part of the research: B-AIR – Art Infinity Radio – How does the world sound?
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index
NB: Abstracts & related documents of each item can be found on the bibliographic references page: . . .
01 – Opening Welcome
02 – Dance_performance
03 – Radio_promenade Time Machine
04 – Conferences day 1 04-1 – Sonic Experience: A Guide To Everyday Sounds
04-2 – L’isolato: Geometries of cohabitation
04-3 – Noisy fairy tales: Aesthetic foresight and planning consistency in Sergio Liberovici’s didactic works.
04-4 – Radio compositions for babies
04-5 – Emotional music education and sonic identity in a context of social vulnerability.
05 – Cresson workshop
06 – music kitchen performance
07 – il ciangottio – (the chatter – le babil) Parco della resistenza
08 – Conferences day 2 08-1 – Composing Radio Plays for babies
08-2 – Sound, rhythm, music and communal care
08-3 – It would be great to hear wolves howling. I’ve never heard it!
08-4 – Radiophonic media and sound memories of the oldest
08-5 – Composing using AIR tools
10 – Concert / Performance
11 – Conferences day 3 11-1 – Composition sonic memory, trauma, soundscapes and narratives
11-2 – A Guide to Life: Sound, Time and Environment/Space 11-3 – Radio UGI, The voice of UGI’s world
11-5 – EARTHEART
12 – GG’B-day |
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This publication [communication] reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein. |
100 mila grazie al team tecnico locale :
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